Artist · Singer · Producer

{

About

}

{

About

}

Voice-First Music Making

CREATE • IDEA • INSIGHT • SOLUTION •
CREATE • IDEA • INSIGHT • SOLUTION •
CREATE • IDEA • INSIGHT • SOLUTION •

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

{

My Journey

}

{

My Journey

}

{

My Journey

}

HOW I GOT HERE

1998

Started piano

Began formal piano training and early musicianship.

1998

Started piano

Began formal piano training and early musicianship.

1998

Started piano

Began formal piano training and early musicianship.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

{

About

}

{

About

}

{

About

}

WHO I AM

I’m Vasi — I make music from the voice outward. I’m an artist, singer, and producer based in Tokyo, and I work 1:1 with artists on vocals, songwriting, production, and mixing.

I came up through serious training (piano, ensembles, conservatory voice), then built my own production practice around performance-first work: we get the take right, we shape the meaning, and only then we polish. If you want a session that feels musical — not clinical — you’ll feel at home here.

Quick facts: English / German / Russian (native-level) • Italian diction • Japanese learner (N4) • Studio + remote.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

Artist · Singer · Producer

{

About

}

{

About

}

Voice-First Music Making

CREATE • IDEA • INSIGHT • SOLUTION •
CREATE • IDEA • INSIGHT • SOLUTION •
CREATE • IDEA • INSIGHT • SOLUTION •

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

{

My Journey

}

{

My Journey

}

{

My Journey

}

HOW I GOT HERE

1998

Started piano

Began formal piano training and early musicianship.

1998

Started piano

Began formal piano training and early musicianship.

1998

Started piano

Began formal piano training and early musicianship.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

{

About

}

{

About

}

{

About

}

WHO I AM

I’m Vasi — I make music from the voice outward. I’m an artist, singer, and producer based in Tokyo, and I work 1:1 with artists on vocals, songwriting, production, and mixing.

I came up through serious training (piano, ensembles, conservatory voice), then built my own production practice around performance-first work: we get the take right, we shape the meaning, and only then we polish. If you want a session that feels musical — not clinical — you’ll feel at home here.

Quick facts: English / German / Russian (native-level) • Italian diction • Japanese learner (N4) • Studio + remote.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

Artist · Singer · Producer

{

About

}

{

About

}

Voice-First Music Making

CREATE • IDEA • INSIGHT • SOLUTION •
CREATE • IDEA • INSIGHT • SOLUTION •
CREATE • IDEA • INSIGHT • SOLUTION •

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

My approach

I work directly with artists as a singer, composer, and producer. We start with the voice — performance, language, intention — and build everything around that. Sessions can be in English, German, or Russian (with support for Italian diction and Japanese pronunciation).

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Focus

The goal is a take that feels real: tone, timing, diction, and emotion. I guide you in the moment so we shape the performance while recording — not only later in editing. Once the voice lands, we make production and mix decisions that serve it.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

Principles

Keep it clear, keep it musical — no overcomplicated process. Direction is practical, supportive, and performance-first, whether you’re a beginner or experienced. You leave with clean takes and a path to a release-ready result.

{

My Journey

}

{

My Journey

}

{

My Journey

}

HOW I GOT HERE

1998

Started piano

Began formal piano training and early musicianship.

1998

Started piano

Began formal piano training and early musicianship.

1998

Started piano

Began formal piano training and early musicianship.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2001

Music school foundation

7 years of music school: piano, choir, solfège, and ear training.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2006

Bands & ensembles

Jazz band (guitar), large orchestra work (grand piano), and performances including festival travel.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2007

Bands & first productions

Punk/rock band (vocals + guitar), a year of drumming, and a summer program in LA focused on guitar and band work with early studio exposure.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2008

Conservatory college

Two years of academic vocal training in Moscow: technique, breath, diction, repertoire.

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2010

German Conservatory

Vocal studies at Robert Schumann Hochschule (piano secondary).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2011

Deutsche Oper am Rhein

Stage and concert work during RSH years (opera + concert repertoire).

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2013

Studio work & production growth

Rock projects + self-driven composition, arrangement, and production development.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2020

Full focus on craft

Deep practice period: vocals, writing, production, mixing, selective client work.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2024

Udemy course production

Created and produced a full "Singing for Beginners" Udemy course (recording, editing, and delivery) with strong student reviews.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

2025

Relocated to Tokyo

Moved to Tokyo to build local client work and release music as Vasilisk.

{

About

}

{

About

}

{

About

}

WHO I AM

I’m Vasi — I make music from the voice outward. I’m an artist, singer, and producer based in Tokyo, and I work 1:1 with artists on vocals, songwriting, production, and mixing.

I came up through serious training (piano, ensembles, conservatory voice), then built my own production practice around performance-first work: we get the take right, we shape the meaning, and only then we polish. If you want a session that feels musical — not clinical — you’ll feel at home here.

Quick facts: English / German / Russian (native-level) • Italian diction • Japanese learner (N4) • Studio + remote.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.

{

Get in touch

}

WORK WITH ME

Vasilisk - Artist, Singer, Music Producer

Vasily Fotin

Artist • Singer • Producer

I work directly with artists on vocals, songwriting, and production — in the studio or remotely. If you’re unsure what you need yet, that’s fine. Tell me about your idea and we’ll figure it out.

I usually reply within 24 hours.